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Why Docudrama?: Fact-Fiction on Film and TV

Why Docudrama Fact Fiction on Film and TV When the English docudrama Who Bombed Birmingham cast serious doubt on the guilt of six men convicted of bombing two British pubs in Prime Minister Margaret Thatcher declared that a televis

  • Title: Why Docudrama?: Fact-Fiction on Film and TV
  • Author: Alan Rosenthal
  • ISBN: 9780809321872
  • Page: 500
  • Format: Paperback
  • When the 1990 English docudrama Who Bombed Birmingham cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a television program alters nothing But, as Alan Rosenthal concludes, Thatcher was wrong The film engendered a new inquiry that led to the release of the convicted men.Rosenthal nWhen the 1990 English docudrama Who Bombed Birmingham cast serious doubt on the guilt of six men convicted of bombing two British pubs in 1974, Prime Minister Margaret Thatcher declared that a television program alters nothing But, as Alan Rosenthal concludes, Thatcher was wrong The film engendered a new inquiry that led to the release of the convicted men.Rosenthal notes that docudrama wields influence than the average documentary and that reality based stories taken from topical journalism are the most popular drama genre on U.S and British television today This three part collection of diverse and provocative essays addresses the dominant questions and controversies the genre poses.Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film they also consider the place of truth in docudrama, the main critiques of the form, and the audience s susceptibilities and expectations In investigating the actual filmmaking process, the eight essays in the second part focus on how docudrama as a commodity is created in the United States and England Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think The final part presents an in depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler s List, and In the Name of the Father.In addition to Rosenthal, the contributors are John Corner, George F Custen, David Edgar, Leslie Fishbein, George MacDonald Fraser, Todd Gitlin, Douglas Gomery, Richard Grenier, Sumiko Higashi, Tom W Hoffer, Jerry Kuehl, Steve Lipkin, Yosefa Loshitsky, Ian McBride, Richard Alan Nelson, Conor Cruise O Brien, Derek Paget, Robert A Rosenstone, Betsy Sharkey, Irene Shubik, Jeff Silverman, D J Wenden, Sita Williams, and Leslie Woodhead.

    Why Docudrama Fact Fiction on Film and TV Alan Why Docudrama Fact Fiction on Film and TV Alan Rosenthal on FREE shipping on qualifying offers When the English docudrama Who Bombed Birmingham cast serious doubt on the guilt of six men convicted of bombing two British pubs in Why Docudrama Fact Fiction on Film and TV, Online Defining and examining the rationale of docudrama, the nine essayists in the first part discuss the history and development of docudrama on TV and in film they also consider the place of truth in docudrama, the main critiques of the form, and the audience s susceptibilities and expectations. Docudrama Why Docudrama Fact Fiction on Film and TV Why Docudrama Fact Fiction on Film and TV The final part presents an in depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler s List, Why Docudrama Fact Fiction on Film and TV Lexile Find In investigating the actual filmmaking process, the eight essays in the second part focus on how docudrama as a commodity is created in the United States and England Part essay, part case study, and part interview, this section also explores how Hollywood and the commercial networks as well as producers and writers work and think. Docudrama Encyclopedia Critical quibbling aside, the docudrama is one of the most popular and lucrative genres in North America, perhaps because it blurs the boundaries between reality and fiction and in the process draws attention to the media s manipulation of fact. Why Docudrama Fact fiction on Film and TV Why Docudrama Fact fiction on Film and TV The final part presents an in depth critique of a number of controversial docudramas that have helped form and shape public opinion, including Battleship Potemkin, Roots, Reds, JFK, Mississippi Burning, Schindler s List, and In the Name of the Father. Why Docudrama Book King County Library System Why Docudrama Fact fiction on Film and TV Book When the English docudrama Who Bombed Birmingham cast serious doubt on the guilt of six men convicted of bombing two British pubs in , Prime Minister Margaret Thatcher declared that a television program alters nothing But, as Alan Rosenthal concludes, Thatcher was wrong The film engendered a new inquiry that led to the release

    • Why Docudrama?: Fact-Fiction on Film and TV >> Alan Rosenthal
      500 Alan Rosenthal
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      Published :2019-06-25T12:22:39+00:00

    About "Alan Rosenthal"

    1. Alan Rosenthal

      Alan Rosenthal Is a well-known author, some of his books are a fascination for readers like in the Why Docudrama?: Fact-Fiction on Film and TV book, this is one of the most wanted Alan Rosenthal author readers around the world.

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